![]() ![]() He was selective in the projects he adopted. Grosbard's relatively limited output was ascribed to his perfectionism. He returned to Henley's work in 2000, directing an Off-Broadway production of Family Week. The 1980s brought productions of Woody Allen's The Floating Light Bulb, Beth Henley's The Wake of Jamie Foster, and a revival of Paddy Chayefsky's The Tenth Man. In 1979, he staged Mamet's The Woods at the Public Theater. He was again nominated for a Tony, as well as a Drama Desk Award. He stayed away from Broadway for a decade after The Price, but returned with the most significant stage credit of his career: the Broadway premiere of American Buffalo, David Mamet's searing three-man tale of aspirational frustration at the bottom of the societal food chain. Grosbard had previously shown his affinity with Miller's work with a 1965 Off-Broadway mounting of A View From the Bridge, which won the director a Drama Desk Award and an Obie Award. ![]() ![]() Grosbard was nominated for a Tony.įollowing two Broadway flops (including Gilroy's follow-up to Roses, called That Summer - That Fall), the director turned in a success with Arthur Miller's moral standoff between two brothers, The Price, in 1968. The play, which ran for two years, won the Tony Award for Best Play and the Pulitzer Prize for Drama, and Mr. Gilroy's family drama The Subject Was Roses. Grosbard - who also forged an estimable, if spare, career in film - made a significant Broadway debut in 1964 as the director of Frank D. ![]()
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